{"id":46104,"date":"2026-06-18T19:00:00","date_gmt":"2026-06-18T17:00:00","guid":{"rendered":"https:\/\/lamagicbox.com\/magazine\/?p=46104"},"modified":"2026-06-19T14:15:16","modified_gmt":"2026-06-19T12:15:16","slug":"the-reed-conservation-society-sing-a-song-that-never-ends","status":"publish","type":"post","link":"https:\/\/lamagicbox.com\/magazine\/the-reed-conservation-society-sing-a-song-that-never-ends\/","title":{"rendered":"The Reed Conservation Society &#8211; Sing a song that never ends"},"content":{"rendered":"<!--themify_builder_content-->\n<div id=\"themify_builder_content-46104\" data-postid=\"46104\" class=\"themify_builder_content themify_builder_content-46104 themify_builder tf_clear\">\n    \t\t\t\t<!-- module_row -->\n\t\t<div  data-lazy=\"1\" class=\"module_row themify_builder_row tb_lblv400 tb_first tf_w tf_clearfix\">\n\t\t\t\t\t<div class=\"row_inner col_align_top tb_col_count_1 tf_box tf_rel\">\n\t\t\t\t\t<div  data-lazy=\"1\" class=\"module_column tb-column col-full tb_a404400 first\">\n\t\t\t\t\t\t\t\t\t<div class=\"tb-column-inner tf_box tf_w\">\n\t\t\t\t<!-- module text -->\n<div  class=\"module module-text tb_o4d7994   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n    <p><strong data-wp-editing=\"1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-46105 size-full\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026.jpg 150w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026-100x100.jpg 100w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026-120x120.jpg 120w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>2026 \u2013 11 titres &#8211; 45&rsquo;48<br \/><\/strong><em><strong>Label : <\/strong><\/em>Hot Puma Records\u00a0\/ Inou\u00efe Distribution<em><strong><br \/><\/strong><\/em><strong><em>Style : <\/em><\/strong>Folk<br \/><strong><em>Origine\u00a0:<\/em><\/strong> France, IDF, Paris (75)<br \/><em><strong>Date de sortie de l&rsquo;album :<\/strong><\/em>\u00a0 26 juin 2026<br \/><span style=\"color: #ffffff;\">.<\/span><br \/><span style=\"color: #ffffff;\">.<\/span><br \/><span style=\"color: #ffffff;\">.<\/span><\/p><hr \/><p style=\"text-align: right;\"><strong>Par Mike S.<\/strong><\/p><article class=\"text-token-text-primary w-full\" dir=\"auto\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[72rem]:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"><div class=\"flex max-w-full flex-col grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"7e32bb85-cc0e-4e7e-849c-c293486b082e\" data-message-model-slug=\"gpt-4o\"><div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"><div class=\"markdown prose dark:prose-invert w-full break-words light\" style=\"text-align: center;\"><p class=\"isSelectedEnd\" style=\"text-align: justify;\"><em><strong>Avec \u00ab\u00a0Sing A Song That Never Ends\u00a0\u00bb, The Reed Conservation Society franchit le cap toujours d\u00e9licat du deuxi\u00e8me album avec une certaine \u00e9l\u00e9gance. Le groupe parisien, d\u00e9sormais \u00e9largi en v\u00e9ritable formation, confirme ici son attachement \u00e0 une folk sensible, ouverte et profond\u00e9ment habit\u00e9e.<\/strong><\/em><\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">Apr\u00e8s un premier <a href=\"https:\/\/lamagicbox.com\/magazine\/the-reed-conservation-society-la-societe-de-preservation-du-roseau\/\">disque en fran\u00e7ais<\/a>, ce nouvel opus marque un retour assum\u00e9 \u00e0 l\u2019anglais. Un choix qui s\u2019inscrit naturellement dans l\u2019ADN initial du projet, tout en accompagnant une \u00e9volution sonore plus collective. Enregistr\u00e9 en conditions live, l\u2019album gagne en chaleur et en spontan\u00e9it\u00e9.<\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">D\u00e8s <em>I Keep the Thorns Right in My Chest<\/em>, l\u2019auditeur est plong\u00e9 dans une atmosph\u00e8re cin\u00e9matographique, entre nostalgie am\u00e9ricaine et r\u00eaverie m\u00e9lancolique. La trompette, signature du groupe, y apporte une couleur singuli\u00e8re, presque lumineuse.<\/p><p data-start=\"92\" data-end=\"462\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-IqsCIMxtqw?si=81xfKlC5MgP2ji0X\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">L\u2019album se distingue par sa richesse d\u2019influences, jamais envahissantes. On y per\u00e7oit autant l\u2019ombre de Sufjan Stevens que celle de certaines formations indie am\u00e9ricaines ou britanniques (<strong>Belle and Sebastian<\/strong> notamment). <em>If I Could Change Myself into Water<\/em> ou <em>Whistle in the Tree<\/em> illustrent parfaitement cette finesse d\u2019\u00e9criture et d\u2019arrangements.<\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">Quelques titres plus enlev\u00e9s, comme <em>The Kruize<\/em> &#8211; le premier single &#8211; ou <em>Goldfish with Glitter Gleam<\/em>, viennent \u00e9quilibrer un ensemble globalement introspectif. Une respiration bienvenue, m\u00eame si le c\u0153ur du disque reste ancr\u00e9 dans une forme de douceur m\u00e9lancolique.<\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">Le groupe s\u2019entoure \u00e9galement de plusieurs invit\u00e9s qui enrichissent les textures sans jamais d\u00e9s\u00e9quilibrer l\u2019ensemble. Ces collaborations renforcent l\u2019id\u00e9e d\u2019un album collectif, pens\u00e9 comme un espace de rencontres artistiques.<\/p><p class=\"isSelectedEnd\" style=\"text-align: justify;\">\u00c0 force de d\u00e9licatesse, certains morceaux peinent parfois \u00e0 s\u2019imposer durablement. Mais cette retenue fait aussi partie de l\u2019identit\u00e9 du groupe, qui pr\u00e9f\u00e8re sugg\u00e9rer plut\u00f4t qu\u2019ass\u00e9ner.<\/p><p style=\"text-align: justify;\">Au final, <em>Sing A Song That Never Ends<\/em> est un disque coh\u00e9rent, sinc\u00e8re, qui confirme la mont\u00e9e en puissance de <strong>The Reed Conservation Society<\/strong>. Un album de transition sans doute, mais surtout une \u00e9tape solide dans la construction d\u2019un univers singulier, \u00e0 la fois discret et attachant.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/article><hr \/><p><a href=\"https:\/\/www.facebook.com\/TRCSfrenchband\" target=\"_blank\" rel=\"noopener\">F<\/a><a href=\"https:\/\/www.facebook.com\/orwellfrenchband\" target=\"_blank\" rel=\"noopener\">B<\/a> \/ <a href=\"https:\/\/thereedconservationsociety.bandcamp.com\/music\" target=\"_blank\" rel=\"noopener\">Site<\/a><\/p><hr \/><p><em><strong>Line-up :<br \/><\/strong><\/em><strong data-start=\"267\" data-end=\"308\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">St\u00e9phane Auzenet<\/span><\/span><\/strong> : chant, guitare, songwriting<br \/><strong data-start=\"343\" data-end=\"384\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Mathieu Blanc<\/span><\/span><\/strong> : trompette, guitare, arrangements<br \/><strong data-start=\"424\" data-end=\"465\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">C\u00e9dric Bermond<\/span><\/span><\/strong> : batterie<br \/><strong data-start=\"481\" data-end=\"522\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Nicolas Pain<\/span><\/span><\/strong> : basse<\/p><p><em><strong>Tracklist :<br \/><\/strong><\/em>01. I keep the thorns right in my chest\u00a0<br \/>02. Sainte Marine\u00a0<br \/>03. The Kruize<br \/>04 Bucky Jay<br \/>05 If I could change myself into water<br \/>06. Elvis has left the building<br \/>07. I wish you were much more than a affair\u00a0<br \/>08. Goldfish with glitter gleam<br \/>09. Whistle int the tree\u00a0<br \/>10. Modesty of Heart<br \/>11. All the stars fall asleeep<\/p><hr \/><div>\u00a0<\/div><div class=\"x_p1\">A lire : la <a href=\"https:\/\/lamagicbox.com\/magazine\/the-reed-conservation-society-la-societe-de-preservation-du-roseau\/\">chronique du premier album<\/a>.<\/div>    <\/div>\n<\/div>\n<!-- \/module text -->\t\t\t\t<\/div><!-- .tb-column-inner -->\n\t\t\t\t\t\t<\/div><!-- .module_column -->\n\t\t\t\t\t\t<\/div><!-- .row_inner -->\n\t\t<\/div><!-- .module_row -->\n\t\t\t\t<\/div>\n<!--\/themify_builder_content-->","protected":false},"excerpt":{"rendered":"<p>2026 \u2013 11 titres &#8211; 45&rsquo;48Label : Hot Puma Records\u00a0\/ Inou\u00efe DistributionStyle : FolkOrigine\u00a0: France, IDF, Paris (75)Date de sortie de l&rsquo;album :\u00a0 26 juin 2026&#8230;Par Mike S.Avec \u00ab\u00a0Sing A Song That Never Ends\u00a0\u00bb, The Reed Conservation Society franchit le cap toujours d\u00e9licat du deuxi\u00e8me album avec une certaine \u00e9l\u00e9gance. Le groupe parisien, d\u00e9sormais \u00e9largi [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":46105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1553,4664,795,2574],"class_list":["post-46104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-francais","tag-folk","tag-hot-puma-records","tag-paris","tag-the-reed-conservation-society","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"<p><strong data-wp-editing=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026.jpg 150w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026-100x100.jpg 100w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2026\/06\/thereedconversationsociety-2026-120x120.jpg 120w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>2026 \u2013 11 titres - 45'48<br \/><\/strong><em><strong>Label : <\/strong><\/em>Hot Puma Records\u00a0\/ Inou\u00efe Distribution<em><strong><br \/><\/strong><\/em><strong><em>Style : <\/em><\/strong>Folk<br \/><strong><em>Origine\u00a0:<\/em><\/strong> France, IDF, Paris (75)<br \/><em><strong>Date de sortie de l'album :<\/strong><\/em>\u00a0 26 juin 2026<br \/>.<br \/>.<br \/>.<\/p><hr \/><p style=\"text-align: right;\"><strong>Par Mike S.<\/strong><\/p><article dir=\"auto\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\"><p style=\"text-align: justify;\"><em><strong>Avec \"Sing A Song That Never Ends\", The Reed Conservation Society franchit le cap toujours d\u00e9licat du deuxi\u00e8me album avec une certaine \u00e9l\u00e9gance. Le groupe parisien, d\u00e9sormais \u00e9largi en v\u00e9ritable formation, confirme ici son attachement \u00e0 une folk sensible, ouverte et profond\u00e9ment habit\u00e9e.<\/strong><\/em><\/p><p style=\"text-align: justify;\">Apr\u00e8s un premier <a href=\"https:\/\/lamagicbox.com\/magazine\/the-reed-conservation-society-la-societe-de-preservation-du-roseau\/\">disque en fran\u00e7ais<\/a>, ce nouvel opus marque un retour assum\u00e9 \u00e0 l\u2019anglais. Un choix qui s\u2019inscrit naturellement dans l\u2019ADN initial du projet, tout en accompagnant une \u00e9volution sonore plus collective. Enregistr\u00e9 en conditions live, l\u2019album gagne en chaleur et en spontan\u00e9it\u00e9.<\/p><p style=\"text-align: justify;\">D\u00e8s <em>I Keep the Thorns Right in My Chest<\/em>, l\u2019auditeur est plong\u00e9 dans une atmosph\u00e8re cin\u00e9matographique, entre nostalgie am\u00e9ricaine et r\u00eaverie m\u00e9lancolique. La trompette, signature du groupe, y apporte une couleur singuli\u00e8re, presque lumineuse.<\/p><p data-start=\"92\" data-end=\"462\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-IqsCIMxtqw?si=81xfKlC5MgP2ji0X\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\ufeff<\/iframe><\/p><p style=\"text-align: justify;\">L\u2019album se distingue par sa richesse d\u2019influences, jamais envahissantes. On y per\u00e7oit autant l\u2019ombre de Sufjan Stevens que celle de certaines formations indie am\u00e9ricaines ou britanniques (<strong>Belle and Sebastian<\/strong> notamment). <em>If I Could Change Myself into Water<\/em> ou <em>Whistle in the Tree<\/em> illustrent parfaitement cette finesse d\u2019\u00e9criture et d\u2019arrangements.<\/p><p style=\"text-align: justify;\">Quelques titres plus enlev\u00e9s, comme <em>The Kruize<\/em> - le premier single - ou <em>Goldfish with Glitter Gleam<\/em>, viennent \u00e9quilibrer un ensemble globalement introspectif. Une respiration bienvenue, m\u00eame si le c\u0153ur du disque reste ancr\u00e9 dans une forme de douceur m\u00e9lancolique.<\/p><p style=\"text-align: justify;\">Le groupe s\u2019entoure \u00e9galement de plusieurs invit\u00e9s qui enrichissent les textures sans jamais d\u00e9s\u00e9quilibrer l\u2019ensemble. Ces collaborations renforcent l\u2019id\u00e9e d\u2019un album collectif, pens\u00e9 comme un espace de rencontres artistiques.<\/p><p style=\"text-align: justify;\">\u00c0 force de d\u00e9licatesse, certains morceaux peinent parfois \u00e0 s\u2019imposer durablement. Mais cette retenue fait aussi partie de l\u2019identit\u00e9 du groupe, qui pr\u00e9f\u00e8re sugg\u00e9rer plut\u00f4t qu\u2019ass\u00e9ner.<\/p><p style=\"text-align: justify;\">Au final, <em>Sing A Song That Never Ends<\/em> est un disque coh\u00e9rent, sinc\u00e8re, qui confirme la mont\u00e9e en puissance de <strong>The Reed Conservation Society<\/strong>. Un album de transition sans doute, mais surtout une \u00e9tape solide dans la construction d\u2019un univers singulier, \u00e0 la fois discret et attachant.<\/p><\/article><hr \/><p><a href=\"https:\/\/www.facebook.com\/TRCSfrenchband\" target=\"_blank\" rel=\"noopener\">F<\/a><a href=\"https:\/\/www.facebook.com\/orwellfrenchband\" target=\"_blank\" rel=\"noopener\">B<\/a> \/ <a href=\"https:\/\/thereedconservationsociety.bandcamp.com\/music\" target=\"_blank\" rel=\"noopener\">Site<\/a><\/p><hr \/><p><em><strong>Line-up :<br \/><\/strong><\/em><strong data-start=\"267\" data-end=\"308\">St\u00e9phane Auzenet<\/strong> : chant, guitare, songwriting<br \/><strong data-start=\"343\" data-end=\"384\">Mathieu Blanc<\/strong> : trompette, guitare, arrangements<br \/><strong data-start=\"424\" data-end=\"465\">C\u00e9dric Bermond<\/strong> : batterie<br \/><strong data-start=\"481\" data-end=\"522\">Nicolas Pain<\/strong> : basse<\/p><p><em><strong>Tracklist :<br \/><\/strong><\/em>01. I keep the thorns right in my chest\u00a0<br \/>02. Sainte Marine\u00a0<br \/>03. The Kruize<br \/>04 Bucky Jay<br \/>05 If I could change myself into water<br \/>06. Elvis has left the building<br \/>07. I wish you were much more than a affair\u00a0<br \/>08. Goldfish with glitter gleam<br \/>09. Whistle int the tree\u00a0<br \/>10. Modesty of Heart<br \/>11. All the stars fall asleeep<\/p><hr \/>\u00a0A lire : la <a href=\"https:\/\/lamagicbox.com\/magazine\/the-reed-conservation-society-la-societe-de-preservation-du-roseau\/\">chronique du premier album<\/a>.","_links":{"self":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/46104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/comments?post=46104"}],"version-history":[{"count":4,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/46104\/revisions"}],"predecessor-version":[{"id":46109,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/46104\/revisions\/46109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media\/46105"}],"wp:attachment":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media?parent=46104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/categories?post=46104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/tags?post=46104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}