{"id":44278,"date":"2025-12-02T09:25:37","date_gmt":"2025-12-02T08:25:37","guid":{"rendered":"https:\/\/lamagicbox.com\/magazine\/?p=44278"},"modified":"2025-12-02T09:25:39","modified_gmt":"2025-12-02T08:25:39","slug":"kompromat-pl%d0%b4ying-pr%d0%b4ying","status":"publish","type":"post","link":"https:\/\/lamagicbox.com\/magazine\/kompromat-pl%d0%b4ying-pr%d0%b4ying\/","title":{"rendered":"Kompromat &#8211; PL\u0414YING \/ PR\u0414YING\u00a0"},"content":{"rendered":"<!--themify_builder_content-->\n<div id=\"themify_builder_content-44278\" data-postid=\"44278\" class=\"themify_builder_content themify_builder_content-44278 themify_builder tf_clear\">\n    \t\t\t\t<!-- module_row -->\n\t\t<div  data-lazy=\"1\" class=\"module_row themify_builder_row tb_gfg8973 tb_first tf_w tf_clearfix\">\n\t\t\t\t\t<div class=\"row_inner col_align_top tb_col_count_1 tf_box tf_rel\">\n\t\t\t\t\t<div  data-lazy=\"1\" class=\"module_column tb-column col-full tb_8zj1974 first\">\n\t\t\t\t\t\t\t\t\t<div class=\"tb-column-inner tf_box tf_w\">\n\t\t\t\t<!-- module text -->\n<div  class=\"module module-text tb_f46k81   \" data-lazy=\"1\">\n        <div  class=\"tb_text_wrap\">\n    <p><strong data-wp-editing=\"1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-44279 size-full\" title=\"maud-lubeck-2024\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025.jpg\" alt=\"Kompromat 2025\" width=\"150\" height=\"150\" srcset=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025.jpg 150w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025-100x100.jpg 100w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025-120x120.jpg 120w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>2025 \u2013 10 titres &#8211; 38&rsquo;31<br \/><\/strong><em><strong>Label : <\/strong><\/em>Warriorecords<em><strong><br \/><\/strong><\/em><strong><em>Style :<\/em><\/strong>n\u00e9o-post punk<br \/><strong><em>Origine\u00a0:<\/em><\/strong> France, Pays de la Loire, St Nazaire \/ Bourgogne Franche-Compt\u00e9, Dijon<br \/><em><strong>Date de sortie de l&rsquo;album :<\/strong><\/em> 24 janvier 2025<br \/><span style=\"color: #ffffff;\">.<\/span><br \/><span style=\"color: #ffffff;\">.<\/span><br \/><span style=\"color: #ffffff;\">.<\/span><\/p><hr \/><p style=\"text-align: right;\"><strong>Par Mike S.<\/strong><\/p><article class=\"text-token-text-primary w-full\" dir=\"auto\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[72rem]:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"><div class=\"flex max-w-full flex-col grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"7e32bb85-cc0e-4e7e-849c-c293486b082e\" data-message-model-slug=\"gpt-4o\"><div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"><div class=\"markdown prose dark:prose-invert w-full break-words light\" style=\"text-align: center;\"><p style=\"text-align: justify;\" data-start=\"175\" data-end=\"532\"><em><strong>Apparu en 2019 le groupe Kompromat, compos\u00e9 de Rebeka Warrior (Sexy Sushi, Mansfield.TYA) et du compositeur Vitalic, est revenu en 2025, avec ce deuxi\u00e8me album, <span class=\"track-title\">PLAYING \/ PRAYING, compl\u00e9t\u00e9 en fin d&rsquo;ann\u00e9e, par un EP 4 titres, baptis\u00e9 K-live, dans lequel on retrouve 4 titres enregistr\u00e9s sur sc\u00e8ne au cours de la derni\u00e8re tourn\u00e9e.\u00a0<\/span><\/strong><\/em><\/p><p style=\"text-align: justify;\" data-start=\"93\" data-end=\"544\">Avec <em><strong data-start=\"98\" data-end=\"119\">PL\u0414YING \/ PR\u0414YING<\/strong><\/em>, Kompromat revient comme on rallume un incendie. Six ans apr\u00e8s le premier choc, <strong data-start=\"202\" data-end=\"220\">Rebeka Warrior<\/strong> et <strong data-start=\"224\" data-end=\"235\">Vitalic<\/strong> signent un disque br\u00fblant, tendu, con\u00e7u pour fissurer le plancher des clubs autant que nos certitudes. <em><strong data-start=\"339\" data-end=\"364\">I Let Myself Go Blind<\/strong><\/em> ouvrait d\u00e9j\u00e0 la marche en octobre 24 : un tir hypnotique, une mont\u00e9e aveugle, un clip fi\u00e9vreux sign\u00e9 Simon Rieth avec <strong data-start=\"480\" data-end=\"495\">Vimala Pons<\/strong> et <strong data-start=\"499\" data-end=\"516\">Sonia DeVille<\/strong> en silhouettes poss\u00e9d\u00e9es.<\/p><p data-start=\"93\" data-end=\"544\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/D88TXghKHBs?si=zviYuVNTrrNINWrL\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><p style=\"text-align: justify;\" data-start=\"546\" data-end=\"899\">Le nouvel album, sorti chez <strong data-start=\"574\" data-end=\"591\">Warriorecords<\/strong>, est un rituel en dix faces : pri\u00e8re pa\u00efenne, invocation du d\u00e9sir, danse fun\u00e9raire et pulsions charnelles s\u2019y t\u00e9lescopent sans pr\u00e9venir. Kompromat brouille les pistes \u2013 EBM, cold wave, techno radicale \u2013 et impose une liturgie \u00e9lectrique o\u00f9 l\u2019anglais remplace l\u2019allemand, comme une mutation in\u00e9vitable.<\/p><p style=\"text-align: justify;\" data-start=\"901\" data-end=\"1362\">Au c\u0153ur du disque, <em>\u00a0I Did Not Forget You<\/em>, co\u00e9crit avec <strong data-start=\"959\" data-end=\"975\">Rahim Redcar<\/strong>, frappe par sa sinc\u00e9rit\u00e9 nue : un morceau sur la perte, direct, presque cruel. \u00c0 l\u2019oppos\u00e9, la transe longue de <em>God Is on My Side<\/em>, avec la Londonienne <strong data-start=\"1130\" data-end=\"1139\">Farah<\/strong>, agit comme une pri\u00e8re lente, vicieuse, qui \u00e9tire le temps jusqu\u2019\u00e0 le faire craquer. Mais il y a aussi les pulsations corporelles : <em>Lift Me Up<\/em>, pur hymne de jouissance, et <em>Only in Your Arms<\/em>, qui chavire en spirale, et qu&rsquo;on retrouve en version live sur le EP K-Live, sorti en novembre dernier.<\/p><p style=\"text-align: justify;\" data-start=\"1364\" data-end=\"1658\">Le mix de <strong data-start=\"1374\" data-end=\"1398\">St\u00e9phane \u201cAlf\u201d Briat<\/strong> donne un relief charnel \u00e0 l\u2019ensemble : \u00e7a respire, \u00e7a grince, \u00e7a pulse comme un organisme vivant. C\u00f4t\u00e9 visuel, <strong data-start=\"1510\" data-end=\"1526\">Th\u00e9o Mercier<\/strong> et <strong data-start=\"1530\" data-end=\"1546\">Erwan Fichou<\/strong> plongent dans un imaginaire inspir\u00e9 d\u2019<em data-start=\"1585\" data-end=\"1593\">Orph\u00e9e<\/em> de Cocteau, entre minimalisme tranchant et symboles obs\u00e9dants. Le visuel a toujours eu une place pr\u00e9dominante dans le projet Kompromat. <strong><em>Playing \/ Praying<\/em><\/strong> le confirme avec des clips et une sc\u00e9nographie du live, travaill\u00e9 jusqu&rsquo;\u00e0 la perfection.\u00a0<\/p><p style=\"text-align: justify;\" data-start=\"1660\" data-end=\"1937\">Avec <strong data-start=\"1761\" data-end=\"1782\">PL\u0414YING \/ PR\u0414YING<\/strong>, Kompromat ne signe pas un simple retour : il impose un territoire. Un endroit o\u00f9 l\u2019on danse, o\u00f9 l\u2019on prie, o\u00f9 l\u2019on br\u00fble \u2013 souvent les trois \u00e0 la fois.\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/article><hr \/><p><a href=\"https:\/\/www.facebook.com\/KOMPROMATmusic\/\" target=\"_blank\" rel=\"noopener\">FB<\/a> \/ <a href=\"https:\/\/kompromat-official.bandcamp.com\/album\/k-live\" target=\"_blank\" rel=\"noopener\">Ecouter &#8211; Acheter<\/a><\/p><hr \/><p><em><strong>Line-up :<br \/><\/strong><\/em>Rebeka Warrior (Sexy Sushi et <a href=\"https:\/\/lamagicbox.com\/magazine\/news-de-mars-2016\/\">Mansfield.TYA<\/a>)<br \/><a href=\"https:\/\/lamagicbox.com\/magazine\/rock-en-seine-2017\/\">Vitalic<\/a><em><strong><br \/><\/strong><\/em><\/p><p><em><strong>Tracklist &#8211; Playing \/ Praying :<br \/><\/strong><\/em>1. I Let Myself Go Blind &#8211; 3:39<br \/>2. Lift Me Up &#8211; 3:23<br \/>3. I Did Not Forget You &#8211; 3:31<br \/>4. Playing \/ Praying &#8211; 4:22<br \/>5. God Is on My Side\u00a0 &#8211; 6:30<br \/>6. No Stranger to Heartbreak &#8211; 2:47<br \/>7. Only in Your Arms &#8211; 4:10<br \/>8. Forever &#8211; 3:22<br \/>9. I Surrender &#8211; 4:04<br \/>10. Intelligence Artificielle &#8211; 2:43<\/p><hr \/><p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-44280 alignleft\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/a0965725789_10.jpg\" alt=\"k-live\" width=\"150\" height=\"150\" \/><\/p><p><em><strong>Tracklist &#8211; K-Live :<br \/><\/strong><\/em>1. Only in your arms &#8211; 04:44<br \/>2. Traum und Existenz &#8211; 04:55<br \/>3. I Let Myself Go Blind &#8211; 04:01<br \/>4. No Stranger to Heartbreak &#8211;\u00a004:28<\/p>    <\/div>\n<\/div>\n<!-- \/module text -->\t\t\t\t<\/div><!-- .tb-column-inner -->\n\t\t\t\t\t\t<\/div><!-- .module_column -->\n\t\t\t\t\t\t<\/div><!-- .row_inner -->\n\t\t<\/div><!-- .module_row -->\n\t\t\t\t<\/div>\n<!--\/themify_builder_content-->","protected":false},"excerpt":{"rendered":"<p>2025 \u2013 10 titres &#8211; 38&rsquo;31Label : WarriorecordsStyle :n\u00e9o-post punkOrigine\u00a0: France, Pays de la Loire, St Nazaire \/ Bourgogne Franche-Compt\u00e9, DijonDate de sortie de l&rsquo;album : 24 janvier 2025&#8230;Par Mike S.Apparu en 2019 le groupe Kompromat, compos\u00e9 de Rebeka Warrior (Sexy Sushi, Mansfield.TYA) et du compositeur Vitalic, est revenu en 2025, avec ce deuxi\u00e8me album, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":44279,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1935,1201,4538,4552,1912,4551,4553],"class_list":["post-44278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-francais","tag-cold-wave","tag-electro-ambiant","tag-kompromat","tag-mansfield-tya","tag-punk","tag-rebecca-warrior","tag-vitalic","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"<p><strong data-wp-editing=\"1\"><img loading=\"lazy\" decoding=\"async\" title=\"maud-lubeck-2024\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025.jpg\" alt=\"Kompromat 2025\" width=\"150\" height=\"150\" srcset=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025.jpg 150w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025-100x100.jpg 100w, https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/kompromat-2025-120x120.jpg 120w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>2025 \u2013 10 titres - 38'31<br \/><\/strong><em><strong>Label : <\/strong><\/em>Warriorecords<em><strong><br \/><\/strong><\/em><strong><em>Style :<\/em><\/strong>n\u00e9o-post punk<br \/><strong><em>Origine\u00a0:<\/em><\/strong> France, Pays de la Loire, St Nazaire \/ Bourgogne Franche-Compt\u00e9, Dijon<br \/><em><strong>Date de sortie de l'album :<\/strong><\/em> 24 janvier 2025<br \/>.<br \/>.<br \/>.<\/p><hr \/><p style=\"text-align: right;\"><strong>Par Mike S.<\/strong><\/p><article dir=\"auto\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\"><p style=\"text-align: justify;\" data-start=\"175\" data-end=\"532\"><em><strong>Apparu en 2019 le groupe Kompromat, compos\u00e9 de Rebeka Warrior (Sexy Sushi, Mansfield.TYA) et du compositeur Vitalic, est revenu en 2025, avec ce deuxi\u00e8me album, PLAYING \/ PRAYING, compl\u00e9t\u00e9 en fin d'ann\u00e9e, par un EP 4 titres, baptis\u00e9 K-live, dans lequel on retrouve 4 titres enregistr\u00e9s sur sc\u00e8ne au cours de la derni\u00e8re tourn\u00e9e.\u00a0<\/strong><\/em><\/p><p style=\"text-align: justify;\" data-start=\"93\" data-end=\"544\">Avec <em><strong data-start=\"98\" data-end=\"119\">PL\u0414YING \/ PR\u0414YING<\/strong><\/em>, Kompromat revient comme on rallume un incendie. Six ans apr\u00e8s le premier choc, <strong data-start=\"202\" data-end=\"220\">Rebeka Warrior<\/strong> et <strong data-start=\"224\" data-end=\"235\">Vitalic<\/strong> signent un disque br\u00fblant, tendu, con\u00e7u pour fissurer le plancher des clubs autant que nos certitudes. <em><strong data-start=\"339\" data-end=\"364\">I Let Myself Go Blind<\/strong><\/em> ouvrait d\u00e9j\u00e0 la marche en octobre 24 : un tir hypnotique, une mont\u00e9e aveugle, un clip fi\u00e9vreux sign\u00e9 Simon Rieth avec <strong data-start=\"480\" data-end=\"495\">Vimala Pons<\/strong> et <strong data-start=\"499\" data-end=\"516\">Sonia DeVille<\/strong> en silhouettes poss\u00e9d\u00e9es.<\/p><p data-start=\"93\" data-end=\"544\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/D88TXghKHBs?si=zviYuVNTrrNINWrL\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\ufeff<\/iframe><\/p><p style=\"text-align: justify;\" data-start=\"546\" data-end=\"899\">Le nouvel album, sorti chez <strong data-start=\"574\" data-end=\"591\">Warriorecords<\/strong>, est un rituel en dix faces : pri\u00e8re pa\u00efenne, invocation du d\u00e9sir, danse fun\u00e9raire et pulsions charnelles s\u2019y t\u00e9lescopent sans pr\u00e9venir. Kompromat brouille les pistes \u2013 EBM, cold wave, techno radicale \u2013 et impose une liturgie \u00e9lectrique o\u00f9 l\u2019anglais remplace l\u2019allemand, comme une mutation in\u00e9vitable.<\/p><p style=\"text-align: justify;\" data-start=\"901\" data-end=\"1362\">Au c\u0153ur du disque, <em>\u00a0I Did Not Forget You<\/em>, co\u00e9crit avec <strong data-start=\"959\" data-end=\"975\">Rahim Redcar<\/strong>, frappe par sa sinc\u00e9rit\u00e9 nue : un morceau sur la perte, direct, presque cruel. \u00c0 l\u2019oppos\u00e9, la transe longue de <em>God Is on My Side<\/em>, avec la Londonienne <strong data-start=\"1130\" data-end=\"1139\">Farah<\/strong>, agit comme une pri\u00e8re lente, vicieuse, qui \u00e9tire le temps jusqu\u2019\u00e0 le faire craquer. Mais il y a aussi les pulsations corporelles : <em>Lift Me Up<\/em>, pur hymne de jouissance, et <em>Only in Your Arms<\/em>, qui chavire en spirale, et qu'on retrouve en version live sur le EP K-Live, sorti en novembre dernier.<\/p><p style=\"text-align: justify;\" data-start=\"1364\" data-end=\"1658\">Le mix de <strong data-start=\"1374\" data-end=\"1398\">St\u00e9phane \u201cAlf\u201d Briat<\/strong> donne un relief charnel \u00e0 l\u2019ensemble : \u00e7a respire, \u00e7a grince, \u00e7a pulse comme un organisme vivant. C\u00f4t\u00e9 visuel, <strong data-start=\"1510\" data-end=\"1526\">Th\u00e9o Mercier<\/strong> et <strong data-start=\"1530\" data-end=\"1546\">Erwan Fichou<\/strong> plongent dans un imaginaire inspir\u00e9 d\u2019<em data-start=\"1585\" data-end=\"1593\">Orph\u00e9e<\/em> de Cocteau, entre minimalisme tranchant et symboles obs\u00e9dants. Le visuel a toujours eu une place pr\u00e9dominante dans le projet Kompromat. <strong><em>Playing \/ Praying<\/em><\/strong> le confirme avec des clips et une sc\u00e9nographie du live, travaill\u00e9 jusqu'\u00e0 la perfection.\u00a0<\/p><p style=\"text-align: justify;\" data-start=\"1660\" data-end=\"1937\">Avec <strong data-start=\"1761\" data-end=\"1782\">PL\u0414YING \/ PR\u0414YING<\/strong>, Kompromat ne signe pas un simple retour : il impose un territoire. Un endroit o\u00f9 l\u2019on danse, o\u00f9 l\u2019on prie, o\u00f9 l\u2019on br\u00fble \u2013 souvent les trois \u00e0 la fois.\u00a0<\/p><\/article><hr \/><p><a href=\"https:\/\/www.facebook.com\/KOMPROMATmusic\/\" target=\"_blank\" rel=\"noopener\">FB<\/a> \/ <a href=\"https:\/\/kompromat-official.bandcamp.com\/album\/k-live\" target=\"_blank\" rel=\"noopener\">Ecouter - Acheter<\/a><\/p><hr \/><p><em><strong>Line-up :<br \/><\/strong><\/em>Rebeka Warrior (Sexy Sushi et <a href=\"https:\/\/lamagicbox.com\/magazine\/news-de-mars-2016\/\">Mansfield.TYA<\/a>)<br \/><a href=\"https:\/\/lamagicbox.com\/magazine\/rock-en-seine-2017\/\">Vitalic<\/a><em><strong><br \/><\/strong><\/em><\/p><p><em><strong>Tracklist - Playing \/ Praying :<br \/><\/strong><\/em>1. I Let Myself Go Blind - 3:39<br \/>2. Lift Me Up - 3:23<br \/>3. I Did Not Forget You - 3:31<br \/>4. Playing \/ Praying - 4:22<br \/>5. God Is on My Side\u00a0 - 6:30<br \/>6. No Stranger to Heartbreak - 2:47<br \/>7. Only in Your Arms - 4:10<br \/>8. Forever - 3:22<br \/>9. I Surrender - 4:04<br \/>10. Intelligence Artificielle - 2:43<\/p><hr \/><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lamagicbox.com\/magazine\/wp-content\/uploads\/2025\/12\/a0965725789_10.jpg\" alt=\"k-live\" width=\"150\" height=\"150\" \/><\/p><p><em><strong>Tracklist - K-Live :<br \/><\/strong><\/em>1. Only in your arms - 04:44<br \/>2. Traum und Existenz - 04:55<br \/>3. I Let Myself Go Blind - 04:01<br \/>4. No Stranger to Heartbreak -\u00a004:28<\/p>","_links":{"self":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/44278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/comments?post=44278"}],"version-history":[{"count":6,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/44278\/revisions"}],"predecessor-version":[{"id":44286,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/44278\/revisions\/44286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media\/44279"}],"wp:attachment":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media?parent=44278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/categories?post=44278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/tags?post=44278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}