{"id":19313,"date":"2018-03-25T14:06:24","date_gmt":"2018-03-25T13:06:24","guid":{"rendered":"http:\/\/lamagicbox.com\/magazine\/?p=19313"},"modified":"2018-03-25T14:06:24","modified_gmt":"2018-03-25T13:06:24","slug":"le-faux-ensemble-double-bind","status":"publish","type":"post","link":"https:\/\/lamagicbox.com\/magazine\/le-faux-ensemble-double-bind\/","title":{"rendered":"Le Faux Ensemble &#8211; Double Bind"},"content":{"rendered":"<p><strong><span style=\"color: #800000;\">2018 \u2013\u00a0 4<\/span><\/strong><strong><span style=\"color: #800000;\">\u00a0titres \u2013\u00a029&rsquo;05<\/span><\/strong><span style=\"color: #800000;\"><strong><br \/>\n<\/strong><\/span><em><strong>Label :<\/strong><\/em>\u00a0 Dissociation<em><strong><br \/>\n<\/strong><\/em><strong><em>Style\u00a0:\u00a0<\/em><\/strong>\u00a0Musique contemporaine, Minimalisme, Post-classic<strong><em><br \/>\n<\/em><\/strong><strong><em>Origine\u00a0:\u00a0<\/em><\/strong>France,\u00a0Pays de la Loire, Nantes\u00a0(44)<br \/>\n<em><strong>Date de sortie de l&rsquo;album : <\/strong><\/em>7 f\u00e9vrier 2018<\/p>\n<p style=\"text-align: right;\"><strong>Notre avis : [star rating=\u00a0\u00bb3,5&Prime; max=\u00a0\u00bb5&Prime;]<\/strong><\/p>\n<p style=\"text-align: right;\">\n<hr \/>\n<p style=\"text-align: right;\"><strong>Par Mike S.<\/strong><\/p>\n<p style=\"text-align: justify;\"><em><strong>Benjamin Jarry s&rsquo;associe \u00e0 plusieurs musiciens pour cr\u00e9er ce Faux Ensemble et les emporter dans une exp\u00e9rience sensorielle qui d\u00e9passe rapidement celui de l&rsquo;ou\u00efe. Travail exploratoire, dans la mouvance de Steve Reich ou de Sonic Youth, Le Faux Ensemble se sert de la musique comme un hypnotiseur utiliserait un pendule&#8230;<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\"><em><strong>Double Bind<\/strong><\/em> se divise en quatre parties in\u00e9gales, quatre mouvements, \u00e9crits sur mesures, pour 4 musiciens et quatre instruments classiques et classieux : les deux violoncelles de <strong>Benjamin Jarry<\/strong> et de <strong>Suzanne Fisher<\/strong>, dont les archets lancinants glissent ind\u00e9finiment sur les m\u00eames cordes quand les notes ne sont pas d\u00e9compos\u00e9es par pizzicato, le piano \u00e9nigmatique ou it\u00e9ratif de <strong>Sandy Ralambondrainy<\/strong> et la clarinette grave et \u00e9loquente de <strong>Clara Bodet <\/strong>(<em>Apex&rsquo;s Hapax<\/em>).<\/p>\n<p style=\"text-align: justify;\">Loin des musiques classiques, si traditionnelles et pr\u00e9visibles, les compositions de <em><strong>Double Bind<\/strong><\/em> nous emportent, sans chemin bien d\u00e9fini, a priori, dans des boucles r\u00e9p\u00e9titives et hypnotiques (<em>Heartless<\/em>), parfois dans des tourbillons proches de l&rsquo;asphyxie d&rsquo;un bol\u00e9ro post-moderne (<em>Double Bind<\/em>).<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4257914280\/size=small\/bgcol=333333\/linkcol=e99708\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/lefauxensemble.bandcamp.com\/album\/double-bind\">Double Bind by Le Faux Ensemble<\/a><\/iframe><\/p>\n<p style=\"text-align: justify;\">Difficile en r\u00e9alit\u00e9 de rapprocher <strong>Le Faux Ensemble<\/strong> d&rsquo;autres sc\u00e8nes actuelles (si ce n&rsquo;est des belges <strong>DAAU<\/strong> ou des am\u00e9ricains <strong>Kronos Quartet<\/strong>), la musique de <strong><em>Double Bind<\/em><\/strong> se r\u00e9v\u00e8le terriblement singuli\u00e8re, d&rsquo;un acc\u00e8s assez complexe pour qui est habitu\u00e9 \u00e0 des sch\u00e9mas \u00ab\u00a0classiques\u00a0\u00bb, mais il faut, ici, tenter co\u00fbte que co\u00fbte, de l\u00e2cher prise avec la r\u00e9alit\u00e9, de prendre cette musique comme celle d&rsquo;une musique de film sur les sc\u00e8nes les plus cruciales ou au suspense diabolique, et se laisser transporter pour voir la musique derri\u00e8re la musique, et percevoir les \u00e9motions plus que les notes, les sensations plus que les sons, les images plus que le jeu des musiciens.<\/p>\n<p style=\"text-align: justify;\">Avec un peu d&rsquo;effort, <strong><em>Double Bind<\/em> <\/strong>saura trouver un public exigent et curieux de nouveaut\u00e9s.<\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.facebook.com\/jarry.benjamin\" target=\"_blank\">Facebook<\/a>\u00a0\/\u00a0<a href=\"https:\/\/lefauxensemble.bandcamp.com\/releases\" target=\"_blank\">Bandcamp<\/a><\/p>\n<hr \/>\n<p><em><strong>Line-up :<br \/>\n<\/strong><\/em>Benjamin Jarry : composition, cello, live sampling<br \/>\nSuzanne Fischer : Cello<br \/>\nRonan Courty : Piano<br \/>\nClara Bodet : Clarinet\/ Bass Clarinet<br \/>\nLucas Pizzini : sound engineer<em><strong><br \/>\n<\/strong><\/em><\/p>\n<p><em><strong>Tracklist :<br \/>\n<\/strong><\/em>1. Apex&rsquo;s Hapax 04:50<br \/>\n2.\u00a0Double Bind 10:45<br \/>\n3.\u00a0Heartless 08:49<br \/>\n4.\u00a0End Credits 04:41<em><strong><br \/>\n<\/strong><\/em><\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-19313\" data-postid=\"19313\" class=\"themify_builder_content themify_builder_content-19313 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>2018 \u2013\u00a0 4\u00a0titres \u2013\u00a029&rsquo;05 Label :\u00a0 Dissociation Style\u00a0:\u00a0\u00a0Musique contemporaine, Minimalisme, Post-classic Origine\u00a0:\u00a0France,\u00a0Pays de la Loire, Nantes\u00a0(44) Date de sortie de l&rsquo;album : 7 f\u00e9vrier 2018 Notre avis : [star rating=\u00a0\u00bb3,5&Prime; max=\u00a0\u00bb5&Prime;] Par Mike S. Benjamin Jarry s&rsquo;associe \u00e0 plusieurs musiciens pour cr\u00e9er ce Faux Ensemble et les emporter dans une exp\u00e9rience sensorielle qui d\u00e9passe rapidement [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1535,1837,1835,1836],"class_list":["post-19313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-francais","tag-daau","tag-kronos-quartet","tag-le-faux-ensemble","tag-musique-contemporaine","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"","_links":{"self":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/19313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/comments?post=19313"}],"version-history":[{"count":0,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/19313\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media\/19319"}],"wp:attachment":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media?parent=19313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/categories?post=19313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/tags?post=19313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}