{"id":12839,"date":"2007-01-29T10:41:35","date_gmt":"2007-01-29T09:41:35","guid":{"rendered":"http:\/\/lamagicbox.com\/magazine\/?p=12839"},"modified":"2016-12-15T10:44:09","modified_gmt":"2016-12-15T09:44:09","slug":"klaxons-myths-of-the-near-nature","status":"publish","type":"post","link":"https:\/\/lamagicbox.com\/magazine\/klaxons-myths-of-the-near-nature\/","title":{"rendered":"Klaxons \u2013 Myths of the near nature"},"content":{"rendered":"<p><b><span style=\"color: #ff3300;\"><span style=\"color: #800000;\">2007 \u2013 12 titres \u2013 42\u201954<\/span> <\/span><\/b><br \/>\n<strong><em>Style\u00a0:<\/em>\u00a0<\/strong>Rock<br \/>\n<strong><em>Label\u00a0:\u00a0<\/em><\/strong>Rinse \/ Because \/ Wagram<br \/>\n<strong><em>Origine :<\/em><\/strong>\u00a0UK, Londres<br \/>\n<span class=\"st\"><strong><em>Date de sortie :<\/em> <\/strong>29 janvier\u00a02007<br \/>\n<\/span><\/p>\n<p style=\"text-align: right;\"><strong>Notre avis : [star rating=\u00a0\u00bb3.5&Prime; max=\u00a0\u00bb5&Prime;]<\/strong><\/p>\n<p style=\"text-align: right;\">\n<hr \/>\n<p style=\"text-align: right;\"><strong>Par Denis Z.<\/strong><\/p>\n<p style=\"text-align: justify;\"><em><strong>Lanc\u00e9 comme la bombe de 2007, six mois avant la sortie de l\u2019album, \u00e0 grand renfort de marketing et de formule choc (\u00ab l \u2018album qui m\u00eale la culture rave et la culture rock \u00bb), l\u2019album de Klaxons n\u2019aurait pu n\u2019\u00eatre qu\u2019un p\u00e9tard mouill\u00e9 \u2013un de plus&#8230;<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">Si vous attendez \u00e0 la r\u00e9volution musicale annonc\u00e9e (comme s\u2019il fallait aujourd\u2019hui employer des superlatifs pour sortir du lot) c\u2019est s\u00fbr vous allez \u00eatre d\u00e9\u00e7u. Klaxons vient de sortir un excellent album de rock anglais, plus efficace que visionnaire, plus sexy que r\u00e9volutionnaire. Mais, on ne va pas g\u00e2cher pour autant. Un c\u00f4t\u00e9 bad guy salvateur traverse tout l\u2019album mais les Klaxons se r\u00e9v\u00e8lent \u00eatre plut\u00f4t des petits gars bien sous tout rapport. D\u2019ailleurs, les Anglais \u2013 ou la maison de disque qui est derri\u00e8re \u2013 veulent autant rassurer que choquer : faisant suite \u00e0 <i>Magick<\/i> et son clip apocalyptique avec jets de peintures, de guitares satur\u00e9es et effluves de synth\u00e9s, le deuxi\u00e8me single, <i>Golden skans<\/i> ram\u00e8ne illico presto le groupe dans le giron plus sage de la brit pop \u00e0 grand coups de \u00ab ouh ouh ouh \u00bb dans les couplets.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XX3w_PlGReU\" width=\"450\" height=\"250\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Un bon titre au demeurant. Apr\u00e8s Klaxons passe ma\u00eetre dans le dosage : le post-punk dansant de <i>Totem on the timeline<\/i>, l\u2019\u00e9l\u00e9gance Pulpienne de <i>as above, so below, it\u2019s not overyet<\/i>, <i>Forgotten worls<\/i> et sa rythmique \u00e0 la Specials\u2026il y en a pour tous les go\u00fbts, le groupe assurant l\u2019homog\u00e9n\u00e9it\u00e9 de l\u2019ensemble par son omnipr\u00e9sente sensualit\u00e9 qui en fait plus des clients au look \u00e9tudi\u00e9 de l\u2019Hacienda (haut lieu du Madchester des ann\u00e9es 90) que des garagistes tach\u00e9s de cambouis.<\/p>\n<p style=\"text-align: justify;\"><em><strong>Klaxons c\u2019est un peu les Happy Mondays des ann\u00e9es 2000. <\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">Le m\u00eame talent je-m\u2019en-foutisme, la m\u00eame capacit\u00e9 \u00e0 surprendre aussi. Ici c\u2019est certainement, outre <i>Magick<\/i>, <i>Atlantis to interzone<\/i> qui sort du lot, un morceau aussi instable que de l\u2019uranium 235 avec une entr\u00e9e en mati\u00e8re nourrie de big beat <b>Propellerheads<\/b> et un refrain \u00e0 la sauvagerie d\u2019hooligans.<\/p>\n<p style=\"text-align: justify;\">Le futur du rock anglais n\u2019est pas ici, seulement le pr\u00e9sent ce qui n\u2019est d\u00e9j\u00e0 pas si mal\u2026<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.facebook.com\/klaxons\/\" target=\"_blank\">Facebook<\/a><\/p>\n<p style=\"text-align: justify;\">\n<hr \/>\n<p style=\"text-align: justify;\"><em><strong>Tracklist :<br \/>\n<\/strong><\/em>1. Two Receivers 4:18<br \/>\n2. Atlantis to Interzone 3:15<br \/>\n3. Golden Skans 2:45<br \/>\n4. Totem on the Timeline 2:40<br \/>\n5. As Above, So Below 3:55<br \/>\n6. Isle of Her 3:54<br \/>\n7. Gravity&rsquo;s Rainbow 2:36<br \/>\n8. Forgotten Works 3:24<br \/>\n9. Magick 3:30<br \/>\n10. It&rsquo;s Not Over Yet (reprise de Not Over Yet de Grace) 3:35<br \/>\n11. Four Horsemen of 2012 2:18<\/p>\n<!--themify_builder_content-->\n<div id=\"themify_builder_content-12839\" data-postid=\"12839\" class=\"themify_builder_content themify_builder_content-12839 themify_builder tf_clear\">\n    <\/div>\n<!--\/themify_builder_content-->\n","protected":false},"excerpt":{"rendered":"<p>2007 \u2013 12 titres \u2013 42\u201954 Style\u00a0:\u00a0Rock Label\u00a0:\u00a0Rinse \/ Because \/ Wagram Origine :\u00a0UK, Londres Date de sortie : 29 janvier\u00a02007 Notre avis : [star rating=\u00a0\u00bb3.5&Prime; max=\u00a0\u00bb5&Prime;] Par Denis Z. Lanc\u00e9 comme la bombe de 2007, six mois avant la sortie de l\u2019album, \u00e0 grand renfort de marketing et de formule choc (\u00ab l \u2018album [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":12840,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[1180,1179,1181],"class_list":["post-12839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-internationaux","tag-james-righton","tag-klaxons","tag-shock-machine","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"","_links":{"self":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/12839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/comments?post=12839"}],"version-history":[{"count":0,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/posts\/12839\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media\/12840"}],"wp:attachment":[{"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/media?parent=12839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/categories?post=12839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamagicbox.com\/magazine\/wp-json\/wp\/v2\/tags?post=12839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}